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"Love Never Felt So Good": Three Takes on Michael Jackson's New Hit

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"Love Never Felt So Good": Three Takes on Michael Jackson's New Hit

My favorite song released so far this year is a study in contradictions. Its bones are over 30 years old, but it lines up perfectly with reigning pop trends. It’s the lead single from the latest project designed to turn a deceased legend into a musical Lazarus, and yet it rings with an irrepressible vitality. It’s an expression of simple and pure joy on an album that tends towards its creator’s troubled, paranoid side. Michael Jackson’s disco confection “Love Never Felt So Good” was co-written by Jackson and pop legend Paul Anka in 1983, and it’s the opening salvo and greatest commercial hope on Xscape, Jackson’s second full-length posthumous collection.

The music industry’s promotional machinery has already begun surging to life in support of the song, from a splashy launch via Usher's performance at the iHeartRadio Music Awards to appearances in a handful of commercials for Jeep. There are three versions of “Love Never Felt So Good” on the deluxe version of Xscape: a duet with Justin Timberlake arranged by two of the album’s executive producers, Timbaland and J-Roc; a solo Jackson version, updated by the co-executor of his estate, John McClain; and the song’s original demo, a piano-and-vocals sketch hammered out by Jackson and Anka in the studio.

The duet version of “Love Never Felt So Good,” which brings the King of Pop and JT together in a way that only happened once while Jackson was still alive, is the album’s foremost bid for chart success; it landed on the Hot 100 at #20 after only three full days’ worth of tracking, thanks to strong sales and heavy radio play. Timbaland and J-Roc crib percussive elements from “Workin’ Day and Night", an Off the Wall highlight from 1979, and the song is kept brisk by those clicking beats and Jackson’s signature gasping, stuttering, and pseudo-beatboxing—give your monitor a grunt and a SHAMONE, just for kicks. This is the most modern version of “Love Never Felt So Good", but it suffers from Timberlake’s presence; though he gives it his best effort, he’s out of his league here. There is a grace and ease to Jackson’s vocal that Timberlake can’t match. Hearing him alongside Jackson is like watching a cross-country runner try to keep up with a bird. 

John McClain’s take on “Love Never Felt So Good” excises Timberlake entirely in service of a classicist, sweeping disco ballad treatment, replete with Splenda-sweet strings and Anka’s original piano line as a melodic anchor. Given the comparable material present on Off the Wall and Thriller, McClain’s vision—while conservative, if not a touch schmaltzy—could hew closest to Jackson’s vision for the song. (After all, the guy who wrote "The Girl Is Mine" is no stranger to schmaltz.) There’s magic in the guitar line that laps at Jackson’s vocal like fire against glass, a touch that brings to mind Nile Rodgers’ work on Daft Punk's “Get Lucky". But this version ultimately sheds light on why this song was shelved three decades ago—or rather, handed to supreme cheeseball Johnny Mathis: In a post-Thriller musical climate, a gushing, saccharine cut of “Love Never Felt So Good” would’ve undoubtedly been viewed as a step backward for Jackson. 

That leaves the song’s demo, which is unfairly relegated to the deluxe version of Xscape (and not yet available online) along with the other pieces of source material used to put the album together. It’s a breathtaking display of unvarnished talent, physical and fluid, with ballast provided courtesy of a key-pounding piano take. Jackson slices and darts through space with grace and agility, his performance augmented with snaps, claps and vocal ad-libs; he gobbles up room, turning an unadorned sketch into something that feels fully realized through sheer force of will. The demo version of “Love Never Felt So Good” will go down as the most timeless one, the one that refreshes our belief in Jackson’s enduring genius.

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