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Haim and the UK Success of Quintessentially California Bands

Following the sisters' third Glastonbury performance, we consider the lineage of SoCal bands faring better commercially across the pond.

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Techno Pioneers Porter Ricks Return, As Philosophical As Ever

With the German duo’s first album in 18 years out this week, we discuss the non-verbal language spoken on the dancefloor.

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11 Great DJ Mixes for 4th of July Weekend

This month’s selections have one thing on their mind: summer, in all its glorious modes.

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The Best Metal Albums of 2017 So Far

From Power Trip to the Ruins of Beverast, these heavy records have defined 2017 so far.

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Behind the Music of Baby Driver, With Director Edgar Wright

An action film as jam-packed with musical easter eggs as car chases deserves a dissection from its maker.

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LCD Soundsystem’s Gavin Russom On Coming Out as Transgender

“Now it’s time to become a whole person,” says DFA Records’ longtime synth expert

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What’s Up with Kanye West and Tidal?

Kanye West’s dispute with JAY-Z’s streaming service may be less about money and more about the trend away from windowed album exclusives

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6 Nina Simone Songs Brilliantly Sampled by Rappers

JAY-Z built an entire track around “Four Women” on 4:44, but he’s far from the first hip-hop iconoclast to borrow Nina’s political insight.

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OG Hip-Hop Director Allen Hughes on Cracking Dre in “The Defiant Ones“

The Menace II Society director’s newest project, the HBO docuseries about Dr. Dre and Jimmy Iovine’s partnership, finds him encountering ghosts of his rap past.

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Making a Serious Case for Prog Rock

We talk to Washington Post political reporter turned author David Weigel about humanizing prog’s virtuosic excess in his new book.

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PSY’s “Gangnam Style” Changed Pop Music, Whether You Like It Or Not

It’s still not a good song, but five years later, there’s no denying that PSY’s pony dance rewrote the rules of both viral success and K-pop around the world.

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Is Lana Del Rey the American Morrissey?

It’s there in the melancholia, the vintage trappings, and the fervent cults of personality.

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TNT’s Ridiculous ‘Will’ and the Problem With Reframing History as Punk

You can’t just dress Shakespeare up in black eyeliner and refashion him as the 16th century’s Malcolm McLaren.

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Flying Lotus’ Kuso Is the Most Vile Body Horror Film Ever Made

A visual orgy of pus and perversion that you probably couldn’t sit through even if you wanted to.

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Zola Jesus Turns Tragedy into a Torrential Sound on Her New Album *Okovi*

“I needed to write these songs,” she tells us, “and I can’t say that about every song I’ve written.”

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“Insecure,” “The Young Pope,” and Music Supervision as Character Devel

Issa Rae’s semi-autobiographical comedy and Paolo Sorrentino’s religious drama use music to show not just who their protagonists are, but the shape they take over time.

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Frank Ocean Finally Played a U.S. Show. Was It Worth the Wait?

Frank Ocean has canceled festival appearance after festival appearance with little explanation. At FYF, he showed up but stayed true to his mysterious ways.

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Why Ticket Scalping Won’t Go Away

Here’s a handy breakdown you can resell for a vastly inflated price (plus service fees).

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The SoundCloud You Loved Is Doomed

Amid rumors of bankruptcy, SoundCloud finds itself where many of its forebears have: slouching unsuccessfully towards scale and profitability.

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What to Stream From Drag City’s Catalog, Now on Apple Music

As the streaming rollout of Drag City’s catalog finishes this week, we have some ideas of where to start.

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